Natalie Merchant
Songs covered by Natalie Merchant
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"After the Gold Rush," from the Neil Young album "Greatest Hits", was covered on the Natalie Merchant album "Live in Concert."
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"All I Want," from the Joni Mitchell album "Blue", was covered on the Natalie Merchant album "[non-album tracks]."
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"Baby I Love You," from the Aretha Franklin album "Aretha's Gold", was covered on the Natalie Merchant album "Wonder."
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"But Not For Me," from the George Gershwin album "Best of Gershwin", was covered on the Natalie Merchant album "Red Hot + Rhapsody."
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"Crazy Man Michael," from the Fairport Convention album "Liege & Lief", was covered on the Natalie Merchant album "The House Carpenter's Daughter."
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"The Gulf of Araby," from the Katell Keineg album "O Seasons O Castles", was covered on the Natalie Merchant album "Live in Concert."
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"In the Ghetto," from the Elvis Presley album "From Elvis in Memphis", was covered on the Natalie Merchant album "Lilith Fair, Volume 2."
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"The Last Goodbye," from the Jeff Buckley album "Mystery White Boy", was covered on the Natalie Merchant album "Simply Mad."
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"Nowhere Man," from the The Beatles album "Rubber Soul", was covered on the Natalie Merchant album "[non-album tracks]."
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"One Fine Day," from the The Chiffons album "The Rock 'N Roll Era - 1963 Still Rockin'", was covered on the Natalie Merchant album "One Fine Day."
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"Son of a Preacher Man (live)," from the Dusty Springfield album "Original Oldies 60's & 70's, Volume 4, Disc 1", was covered on the Natalie Merchant album "[non-album tracks]."
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"Space Oddity," from the David Bowie album "Space Oddity", was covered on the Natalie Merchant album "Live in Concert."
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"Sympathy for the Devil (live)," from the The Rolling Stones album "Flashpoint", was covered on the Natalie Merchant album "Tigerlily (bonus disc)."
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"The Work Song (live)," from the Cannonball Adderley album "Phenix", was covered on the Natalie Merchant album "Tigerlily (bonus disc)."
Natalie Merchant songs that have been covered
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"Motherland," from the Natalie Merchant album "Motherland" , was covered on the Joan Baez album "Dark Chords on a Big Guitar."



